{"id":3297,"date":"2021-08-22T14:58:49","date_gmt":"2021-08-22T14:58:49","guid":{"rendered":"https:\/\/aadk-portugal.pt\/en\/?page_id=3297"},"modified":"2021-12-13T16:34:14","modified_gmt":"2021-12-13T16:34:14","slug":"e-so-uma-fase","status":"publish","type":"page","link":"https:\/\/aadk-portugal.pt\/en\/e-so-uma-fase\/","title":{"rendered":"It’s just a phase"},"content":{"rendered":"\t\t
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part of The Plot begins<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Cycle of hybrid performances proposed by S\u00f3nia Baptista, in which the link between body and word and manifestations of nature are related to the lunar cycles, and they are presented to the public on nights with a full moon.
Considering the moon as an influential element of liquid matter present on earth, it is intended to address the themes of fluidity between thought, word and body, between idea and action or inaction, between the tangible and intangible world.

Artists, creatives, authors and performers are invited to reflect on the moon, the moon in popular, artistic and academic imagination, the metaphors and correlations associated with it and the possibilities of relating to their artistic work and creating a small performative moment that reveals the result of that research.

Crossing the disciplines of dance, theater, music, spoken word, each moment will have an associated artist who will sometimes also trigger a short creative writing workshop, designed and taught together with S\u00f3nia Baptista, associated with the performance presented and rooted in peculiarity of space, in a link between telluric and lunar forces.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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S\u00d3NIA BAPTISTA <\/b><\/span>graduated in Contemporary Dance at F\u00f3rum Dan\u00e7a.
<\/span>She holds a Masters in Choreography and Performance from the University of Roehampton in London, UK.
<\/span>In 2001, she was awarded the Ribeiro da Fonte Revelation Prize in the field of Dance by the then Ministry of Culture for <\/span>Haikus <\/span><\/i>(her first work). Since then, her work has been explored and experimented with the languages \u200b\u200bof Dance, Performance, Music, Literature, Theater and Video, presenting plays in various Festivals and Theaters in Portugal and abroad. Choreographer, writer and dramaturge she has published seven books.
<\/span>She has collaborated with the Superior School of Theater and Cinema, the Superior\u00a0 School of Dance, Forum Dan\u00e7a and other educational institutions, as well as with CNB in \u200b\u200bvarious educational and artistic projects.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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August 22nd - THE PLOT BEGINS!<\/span><\/h2><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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|we were moving so fast|\nat least for now.<\/b>
\nConception and performance by ANA LIB\u00d3RIO and ANDR\u00c9 LOUBET <\/b><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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what if the first time I met you I forgot to swallow on time?
\n<\/i>what if I misunderstood the question?
\n<\/i>what if after all this it didn’t stay?
\n<\/i>what then… so what…<\/i><\/strong><\/p>\n

ANA LIB\u00d3RIO<\/b> is a performer and creator trained at the Superior School of Theater and Cinema (2015-17), in the advanced program in choreography – Danceworks Berlin (Berlin, 2020-23) and has a Master in Aesthetic Philosophy from the Faculty of Arts of the University of Lisbon (2019-20).
\nShe collaborates with C\u00e3o Solteiro, S\u00f3nia Baptista, Plataforma 285 and visual artist Bruno Jos\u00e9 Silva. In addition to these collaborations, she also worked with Francisco Camacho, Teatro Praga, Gary Hill, Christopher Brath Balley, Tiago Vieira, Ricardo Neves-Neves, Tiago Vieira, Isadora Alves Nunes, Margarida Correia amongst others. <\/span>
\nAna presented her first creation “exposing it after it has already been revealed” at Rua das Gaivotas 6 (2019) with the curatorship of Teatro Praga and the company Silly Season, the second creation at the Maps festival “Map|ping Resistance” in collaboration with artist Bruno Jos\u00e9 Silva (2019) and “Tragic – it\u00b4s so tragic” at TanzRaum in Berlin (2021) crossing her artistic activity between Lisbon and Berlin. <\/span>
\nShe was awarded a DGArtes grant to study dance (DanceWorks) in Berlin and was awarded the title of Artista do Bairro 2020 by C\u00e3o Solteiro and Rua das Gaivotas6. She is involved in activist projects, namely active collaboration with the Refugee organization in Basel, Switzerland, and the collective s (not) quare in Berlin.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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September 21st - THE PLOT THICKENS<\/span><\/h2><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A YEAR TO FORGET<\/b>
Meditative writing by GISELA CASIMIRO <\/b><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“a year to forget \/ my friend was god”, from the work of the master Matsuo Bash\u00f4 and Leonard Cohen’s Book of Longing.\u00a0 Using the surroundings natural space the workshop’s proposal is to create time for alignment, an intimate reflection on what the last two years have been.<\/p>

Using not a rigid form but only the words that serve the moment we go from reading to writing and end up reading again, the reading of the self. What moves us, moves and demotes us?<\/p>

Participation is limited to 15 registrations.<\/p>

Gisela Casimir<\/strong>o <\/b>(Bissau, 1984) is a Portuguese writer, artist and activist.
She published “Erosion” and was part of several anthologies. In recent years she has written regular chronicles in Hoje Macau, Buala, Contempor\u00e2nea and Setenta e Quatro.
She also wrote for PROPS, Flanzine, Pessoa Magazine, MIL Magazine, among others. She was an invited author to festivals in Turkey, Macau, Mozambique, Portugal and Germany. She was part of shows at CCB, P\u00f3lo Cultural das Gaivotas, TBA and Teatro S\u00e3o Luiz. She has held solo and group exhibitions at Mercado de Culturas, Arm\u00e1rio, ZDB, Balcony, Casa do Capit\u00e3o, Museu Nacional de Etnologia and Quetzal Art Center. She collaborates with several theaters, museums, associations and festivals.
She is the creator and moderator of the cycle of conversations “Temos de falar”. She is also a member of INMUNE and UNA – Uni\u00e3o Negra das Artes.<\/span>
She hates biographies.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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UIVO-REFLEXO<\/b>
\nConception and performance by JOANA LEVI<\/b>
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A heat, a living water of semicircular cartilages, natural satellite of every body, of ephemeral luminosity, something inaccessible depending on the position it is in.<\/p>

Joana Levi<\/strong> (Rio de Janeiro, 1975) is a performer, director and dramaturgist living in Lisbon since 2017. She holds a BA in Philosophy\/USP and a MA in Philosophy-Aesthetics\/FCSH-UNL.
Her most recent creation, “Rasante”, premiered at Alkantara 20′ Festival, as part of the cycle “Terra Batida”.
In the last 10 years she has been dedicated to experimental and collaborative projects that forge a scene crossed by different performative languages (from performance to theater, from dance to philosophical thought) and that evoke tense relations expressed in urban, (post) colonial and gender contexts and conflicts.
Recently, she has collaborated with Carlota Lagido, S\u00f3nia Baptista, Rita Nat\u00e1lio, Gustavo Cir\u00edaco, Julia Salem, among others.
Previously, in Brazil, her creations include: “Museu Encantador” (MAM-RJ) in collaboration with Rita Nat\u00e1lio; “R\u00f3z\u00e0” (Casa do Povo-SP), with Martha Kiss Perrone; and “In_Tr\u00e2nsito”, (Award Montagem C\u00eanica-RJ), with Isabel Penoni\/Cia Marginal.
She is a contributor at Penha Sco_arte cooperative (Lisbon), where she works as project manager and performing arts programmer.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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November 20th - THE PLOT RETURNS<\/span><\/h2><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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TO RECEIVE WINTER<\/b>
Performance by TITA MARAVILHA <\/b><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Intuition. The future is eternal movement and I start to feel the cold. Even beautiful coats don’t hide what’s inside. Inside me, a thousand worlds ready to generate heat. Survive hypothermia by blowing your hands and earn a place in the sun. Subjective sharing or also known as performance to alleviate homesickness.<\/span><\/p>

TITA MARAVILHA<\/strong>\u00a0is a hybrid artivist and inventor of universes.
Through the idea of a political body bring\u200bs\u00a0\u200bto\u00a0\u200bthe\u00a0artistic processes the pains and delights of being a dissident body.
She is an actress, singer, performer and clown. Graduated from Universidade\u00a0\u200bde Bras\u00edlia in 2018, where\u00a0\u200bshe’s\u00a0part of the research group LPTV (Laboratory of Performance and Theater of the Void), managed by Simone Reis.\u00a0Member of the Brazilian bands \u201cCantigas Boler\u00e1veis\u201d and \u201cRainhas do Babado\u201d. In Portugal, together with the artist CIGARRA, develops the electronic music and performance project “TRYPAS-\u200b\u200bCORA\u200b\u00c7\u00c3O”.
In 2020, based on a proposal by the Silly Season group,\u00a0\u200bs\u200bhe developed the show EXERC\u00cdCIO PARA PERFORMERS MEDIOCRES, which premiered in November 2021 at Rua das Gaivotas 6. Also in 2021,\u00a0\u200bs\u200bhe premiered\u00a0\u200bthe\u00a0third experiment in Lisbon entitled TITA NO PA\u00cdS DAS MARAVILHAS, at the EUF\u00c9MIAS festival.
She is an urgent artist for the contemporary art scene in Lisbon.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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December 19th - THE PLOT EXPANDS<\/span><\/h2><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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IT'S JUST A PHASE<\/b>
Writing workshop with S\u00d3NIA BAPTISTA <\/b><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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M<\/b>
Performance by DANIEL PIAZMIGLIO <\/b><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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M is a color. M is a huge heart in the middle of space. M is a list of words beginning with M.M is to mourn in the text, in the body and with you. M is a legacy. The legacy of M.<\/p>

Daniel Pizamiglio<\/strong> is a Brazilian performer and creator.
From 2008 to 2010, he took the Technical Course in Dance in Fortaleza. During this period he met the choreographer Jo\u00e3o Fiadeiro and after this meeting he moved to Lisbon in 2012, where he currently lives and works.
Since then he studies and practices Real Time Composition; he participated in the Study, Research and Choreographic Creation Program of Forum Dan\u00e7a (2015-16); he has collaborated as a performer, co-creator and assistant director with different artists.
In his work he seeks a meeting between poetry and the body (\u201cDan\u00e7a Concreta\u201d) and how to activate the corporeality of affections and relationships (\u201cPreste Aten\u00e7\u00e3o Em Tudo A Partir de Agora\u201d).\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ODE<\/b>
Concert by PATR\u00cdCIA ANDRADE and DIOGO MELO <\/b><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A journey to vocal demultiplication\/sound effects through improvisation.<\/p>

Patr\u00edcia Andrade<\/strong>, born on January 17, 1976, in Lisbon.
She attended the Superior School of Theater and Cinema.
Member of Teatro do El\u00e9ctrico, she participates in \u201cManual\u201d as an actress and co-author with Ricardo Neves-Neves. She also takes part in the following productions by Teatro do El\u00e9ctrico: \u201cO Solene Resgate\u201d by Ricardo Neves-Neves, \u201cMary Poppins, a Mulher que Salvou o Mundo\u201d \u00a0by Ricardo Neves-Neves, \u201cA Morte de Dona Luciana\u201d by Copi, staging by Ricardo Neves-Neves. \u201cAlice no Pa\u00eds das Maravilhas\u201d, staged by Maria Jo\u00e3o Lu\u00eds and Ricardo Neves Neves, co-production Teatro do El\u00e9ctrico\/Teatro da Terra\/Teatro Nacional D. Maria II. With Teatro do Mar, she collaborates in the productions of: \u201cDaimonion\u201d, \u201cNusquam\u201d and \u201cSolum\u201d. At Karnart, she participates as a performer in: \u201cVis\u00f5es de Cemit\u00e9rio de Pianos\u201d, based on the work of Jos\u00e9 Lu\u00eds Peixoto, staged by Lu\u00eds Castro and \u201cTorre de La D\u00e9fense\u201d, by Copi, staged by Lu\u00eds Castro.
As lead singer of Sinistro, she toured Europe, having participated in several festivals: Roadburn (Netherlands), Graspop (Belgium), Damnation (England) , Eistnaflug (Iceland), Amplifest (Portugal), Inferno (Norway), Inferno Fest (Chile), among others.
Currently, she performs “A Voz Humana” that also directed with David Pereira Bastos, production: Teatro do El\u00e9ctrico.<\/p>

Diogo Melo<\/strong> (1984, Lisbon) attended a Masters in Electronic and Telecommunications Engineering at ISEL and a Post-Graduate in Sound Art at FBAUL, also studying classical piano. He develops his work using sound through different lenses, from music, installation, field recordings and development of musical instruments.
He collaborated with artists such as S\u00f3nia Baptista, Miguel Bonneville, Andr\u00e9 de Campos, Ana Guedes, Rita Vilhena, Yael Karavan, Violeta Luz and Ana Lib\u00f3rio.
In July 2020, he presented his creation \u201cReading at First Sight\u201d as a creator and performer at Galeria Zaratan. In September 2021 he presented the performance \u201cHere Is The Place\u201d at Rua das Gaivotas 6.
Created and manages the residency program for music and sound art Electronic Warfare, aimed at visual artists, performers and musicians.
As a musician, he composed and mixed the soundtrack of the short films: \u201cSAL\u201d, by Andr\u00e9 Santos and Mariana Machado, presented at the MAR Out festival in 2020; \u201cVery Very Funny\u201d, by Andr\u00e9 Santos and Mariana Machado, presented at the Imaginarius festival in Santa Maria da Feira in 2021; \u201cOur Skin\u201d, by Rita Vilhena and Yael Karavan, directed by Francisca Manuel in 2021.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

part of The Plot begins Cycle of hybrid performances proposed by S\u00f3nia Baptista, in which the link between body and word and manifestations of nature are related to the lunar cycles, and they are presented to the public on nights with a full moon.Considering the moon as an influential element of liquid matter present on […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3297","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/aadk-portugal.pt\/en\/wp-json\/wp\/v2\/pages\/3297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aadk-portugal.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aadk-portugal.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aadk-portugal.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aadk-portugal.pt\/en\/wp-json\/wp\/v2\/comments?post=3297"}],"version-history":[{"count":128,"href":"https:\/\/aadk-portugal.pt\/en\/wp-json\/wp\/v2\/pages\/3297\/revisions"}],"predecessor-version":[{"id":4314,"href":"https:\/\/aadk-portugal.pt\/en\/wp-json\/wp\/v2\/pages\/3297\/revisions\/4314"}],"wp:attachment":[{"href":"https:\/\/aadk-portugal.pt\/en\/wp-json\/wp\/v2\/media?parent=3297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}